Dark but just a game lyrics lana del rey
March’s Chemtrails Over the Country Club was the opposite of radical, but served a crucial purpose in reconnecting Del Rey with her roots as a singer-songwriter in the American tradition. Lana Del Rey: Photos From the Billboard Cover Shoot
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The critically beloved Norman Fucking Rockwell, from 2019, was her most complete reinvention yet, turning her into a folk-rock troubadour who’d never seemed more human. On 2017’s Lust For Life, Lana rebooted her image once again, adopting an optimistic, Woodstock-inspired outlook for our uncertain age. 2015’s Honeymoon indulged in jazz and soul, opening herself back up to the possibility of happiness. And then, with her 2014 sophomore LP Ultraviolence, she burned it all down, trading the hip-hop beats for fiery psych-rock guitars, on songs where she had no interest in coming off as sympathetic. In 2013, “Young and Beautiful,” her theme from Baz Luhrmann’s The Great Gatsby, and the Cedric Gervais remix of “Summertime Sadness” made Del Rey a reliable hitmaker, and a household name. The Paradise EP and her epic “Ride” video soon followed, expanding on Born to Die’s themes of romantic fatalism, while galvanizing an emerging cult fanbase that hung on her every word. “Lana Del Rey” became an instantly identifiable aesthetic, the same way the likes of David Lynch, Mad Men, Margaret Keane, or Amy Winehouse had before her. Del Rey took the girl-group, Nancy Sinatra pop stylings of the ’60s, and fused it with modern cinematic production and a glamorous, Hollywood-inspired image, to create a kind of hyper-real 21st century Americana. If you like real music, and not some of the stuff we’ve seen in recent days, this is for you.Lana Del Rey on Finding Her Voice and Following Her Muse: 'I Have Never Taken a Shortcut'īorn to Die, her 2012 major-label debut, arrived with impossibly high levels of both hype and trepidation, to decidedly mixed initial reactions. I can’t wait to get this CD, put it my car, and play it over and over. But “Chemtrails” may be it, and what a pleasure if this is her moment. There have always been flickers of big breakthrough success. Lana DelRey has been out there for a while following her own path, gathering a cult audience. This might also be the most Joni Like construction of a song, with a chorus you can imagine live audiences singing along to.Ī decade is a long time. A meditation on fame, DelRey and Antonoff say they got the idea after attending a celebrity party in Hollywood and being shaken after meeting some of their idols. But it may be too mordant for country music with a line like “I don’t want to wind up like Tammy Wynette.”īut the key to “Chemtrails” is “Dark But Just a Game,” the album’s centerpiece. “Breaking Up Slowly,” written with Antonoff and Nikki Lane actually IS a hit record if hits were defined by concise lyrics and catchy refrains.
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Two tracks need to be focused on right away. Pop Read: Justin Bieber Uses MLK Speeches to Bolster Album of Love Songs
Dark but just a game lyrics lana del rey movie#
“Not All Who Wander Are Lost” should be added to the movie “Nomadland” as its theme song.
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The single, “Let Me Love You Like A Woman,” in a normal world, would not only be a radio constant but the best Record or Single of any year. Del Rey wants to make sure you’re ready for that point, so the penultimate song which precedes the cover is called “Dance Til We Die,” and begins with this news: “I’ve been covering Joni and dancing with Joan” and later remarks (maybe a nod to the watershed “Hissing of Summer Lawns”): “Joan said she was gonna quit/Tearin’ it up at the Afro-Caribbean two-step.” (Joan may also be a reference to Joan Baez, which is also cool.)Ī Lana DelRey album always seems like it’s going to be serious, but this time she and Antonoff have found several compromises that lift this collection to place that I would call supremely enjoyable.